Strike Stroke | Emmanuel Rey, type archives

Back in 2007, ECAL/University of art and design Lausanne published a book of almost 400 pages, illustrating twelve years (1995–2007) of a phenomenal success under the direction of Pierre Keller.

Some of the works, that I did as a student there, were published in it:

“Abert” by Adeline Mollard, “freak” by Vanessa Garcia, “rock” by Clément Gallet, “raskal” by myself and PGM by Philippe Egger. These typefaces were designed during the 3rd year’s type design course, under the supervision of Ian Party (b+p swiss typefaces).

 

Detail of my font.

 

We make fonts exhibition view at elac, 2006. Among others, you can recognise Px Grotesk “screen” by Nicolas Eigenheer (coming soon by Optimo), Kada by Joel Nordstroem, BpDidot by Ian Party & Maxime Büchi (b+p swiss typefaces), Pharma by Julien Gaillardot (available at Optimo) and “F.C.” Bussigny Serif designed during a one-week workshop for the second year’s graphic design class (in which I was) given by Jean François Porchez (more images of the workshop: day 1, day 2, day 3, day 4, day 5).

 

Some of my sketches during the Type One workshop given by Wolfgang Weingart and Ludovic Balland, 2006.


ECAL
A Success Story in Art and Design
2007, published by ECAL in partnership with JRP|Ringier
ISBN 978-3-905770-90-2

Simplon BP
 
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    I post here, archive, document and classify all kind of stuff related to my practise of type design: fonts in use, publications, inspirations, previews of fonts under development, etc.

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    b+p swiss typefaces